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He recently said “no disrespect to the people making 10 times more money as me, but I hate your fucking songs” – but he wants to have his cake and eat it, touring the UK next month with the mega-selling Wiz Khalifa. His already-classic single Wrist is a catchy conjuring of the monotony of selling coke its guest rapper, the chorus fiend iLoveMakonnen, is expected to release his own album in October.Ī$AP Rocky strides into this new middleground slinging the usual lyrical cliches into psychedelic forms. Instead, it’s all wonderfully grotty sex rap.
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Father is an Atlantan rapper who is playing an unmissable showcase for his label Awful Records in London in November – his album Who’s Gonna Get Fucked First? is, as you might expect, not full of men opening doors for their girlfriends and remembering coconut water during the weekly shop. Tracks like No Type, Throw Some Mo and This Could Be Us are masterful earworms, and the puppyish pair covet Céline handbags rather than snapbacks.Īs pop-rap gets clever, so the underground dumbs down. The other kings of hook rap are Rae Sremmurd, who arrive in the UK for a five-date tour in December. But again, melody remains paramount, and his proclivity for tutus and calling friends “hubby” pricks the traditional macho pose. Lines like “I boned her, I leave an aroma” aren’t boasts, but rather ghostly coos. His larynx sounds like it has been scrunched up like a ball of paper – bone-dry words creak and squeak as if puberty never really did its job. Three equally sing-song follow-ups (including one with Drake himself) have made Fetty’s album hugely anticipated ahead of its release on 25 September.Īlso subverting gangsta cliches is Young Thug, whose album Hy!£UN35 is out the same week.
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Fetty Wap’s Trap Queen, the biggest and best track of 2015, is about getting your girlfriend to cook crack for you(ie as real as it gets) – and yet it’s built from two different gigantic pop choruses. This imperial phase from Drake has shifted the landscape of rap accordingly, with the schism between glute-fixated pop rap and “real” hip-hop closing up. Drake’s win also showed audiences don’t care about spurious notions of authenticity and realness – what counts is hooks, storytelling and talent, even if you’re a middle-class former child actor from Toronto. The lesson was clear: yes, a singing rapper was once fey and effeminate, but in 2015, the song is king.
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It prompted a one-two punch of retaliatory tracks from Drake, with Meek cowed by the line “you getting bodied by a singing nigga”. T he year’s biggest rap story has been the beef between Drake and Meek Mill, with the latter accusing the former of using a ghostwriter.